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CH.3. JOYFUL PLAY OF PERFECT WORLDS
from above harmony and contradictions.
Matter turns out to be a form of emotional dynamics.
A system of different physics is regulated by emotions.
Art of deep intuition can create new real world.
“Mind over matter” through biochemistry.
Annotation - a concise description of the key on a one page:
THERE IS ONE KEY TO ANY PROBLEM BECAUSE
PHYSICS generated by interaction of four worlds with different signs of time and causality
PREDICTS LOCAL COSMOLOGIES
THAT REVEAL (trough some special procedures)
THE WORLD BEFORE BIG BANG,
OUR DEEP I,
GOD,
THE LAST UNITY
OF ABOVE REALMS.
Through the interaction with local cosmologies we can
Read the program of evolution,
Change yourselves,
Arrange dialogue with God,
Know thw last meaning of our world.
On any of those levels we have many new effects and new apparatus up to the SHIP FOR THE FLIGHT
TO OTHER WORLDS.
It is the science = art = religion = mysticism of near future.
We already have those “new” apparatus in our brain
And because of this traditional ideals and higher beings
(first principles, natural spirits, angels, God)
are so real as any stone on a road.
The correct unique reconstruction of these ideals and beings
Generate below any world we like and any physics we like.
THIS UNIQUE RECONSRTUCTION
OF HIGHER DYNAMICS (proved by evolution and history
that follow from this dynamics) is based on new techniques:
1. TECHNIQUE OF EQUALIZING THE ROLES OF OPPOSITIONS
2. TECHNIQUE OF CONSTRUCTION THE PLAN OF THE WORLD
These techniques need a translation between higher and lower languages.
These translation is constructed trough trial and error.
These trials need much time but new apparatus will cut it down.
Already at the first steps on this way we have the wonderful things (approved by experiments).
It is the new brave world where you find yourself.
Introduction. The triumph of life.
The content of two above chapters
was formed by two revelations:
the paradigm of interacting worlds and
the general plan of the world.
The content of the next two chapters
is formed by two other revelations:
1. In four levels of dynamics of our world:
mystery,
consciousness,
life,
matter
the dynamics of any level
can generate othe three dynamics.
2. In two types of dynamics of our world:
objective,
subjective
the dynamics of any level
can generate the dynamics of other level.
With the first revelation
we can design the ladder to heaven.
With the second revelation
we can design the ship for absolute flight
in order to go along this ladder.
Where is life in equations of physics ?.
In this book I invert this question to:
What aspect of life is identical to physics ?
The answer to this second question
is more interesting and useful
than the nonexisting answer to the question of the titel.
Though in the correct equations
that will be written below
you will see life - and not only our life.
Why emotions and matter are tightly connected.
Dynamics of two different realms
(as example, life of emotions and the laws of physics)
I assume to be two kinds of symmetry breaking
of the same life of a great number of some higher beings.
For this beings I have some ideals,
for outputs of two kinds of symmetry breaking
I have for kinds of demands.
For the picture of the life of higher beings
I write down some conditions (equation) of self-concordance
on the background of the above ideals and demands.
Here laws of physics ensure the stability of emotinal dynamics,
and dynamics of emotions ensure the regulation of matter.
Then two level need each other.
After solving these equations of self-concordance
I shall have the picture of the life of higher beings.
This picture can be proved through
the picture of evolution,
the known relations of psyche to environment,
the simple experiments.
In these experiments we can connect
the emotional life of a biochemical substance
to the configurations of atoms and molecules and vise verse.
These connections will be a result of
relations that we have in local cosmologies
between the emotional life of higher beings
and their norms of behaviour
(that form a part of physics}.
All that can be observed in a test-tube
without any role of human,
in the neighbourhood of a human being,
inside a tissue (without any physical connection)
Language of physics.
The many new results of Ch.1-2
seems to appear from nowhere.
Actually they appear from the image of perfect worlds.
Those perfect worlds differ from our world
but they are descibed in the same
language,
state of consciousness,
and on the background of the same last senses.
That is a serious drowback.
As result, we derived the law of physics
but not
its language,
apparatus,
procedures of mesuarement,
general worldview and so on.
As result, local cosmologies
can be described only approximately.
Now I shall make the next steps
and shall try to derive in Ch.3-8 all these factors.
The method of derivation is the same
but the picture of the initial worlds
will be augmented on any step.
Some additional information
about this picture will be taken
from similarities of the general plan of the world
and from the cultural traditions.
Here will be used a special technique
of refinement and of constructing the coverings.
As result, we would have in initial ideal worlds
also ideal observers with its ideal language.
Those ideal observers are identical to phusons
described in general Introduction.
In any local cosmology
we have a society of ideal observers.
On the human level the language of this society
become the inner language of psyche.
The language of communication between societies
become our usual language.
As a sublanguage we would have the language of physics.
With this relation of the language of physics
to the language of phusons
we can
DERIVE THE LANGUAGE OF NEW PHYSICS.
Having this in mind
we shall repeat in the next two chapers
the derivation of physics.
Now it will be the derivation
both physics and its language.
As result, now we can describe
the wide class of local cosmologies
where the responce from the universe
is local for particles but not for phusons.
Now I an going to dynamics of phusons.
Physics generated by an emotional dynamics.
I start from a traditional picture of natural spirits (phusons)
but assume those spirits to form a society.
I assume this society to be analogious to human society.
Then we can await to have here two types of norms:
norms of behaviour,
norms of communication.
Those norms are determined mainly by the utility of their functions.
But there are other norms that ensure the proper functioning
of two above mentioning types of norms.
This second kind of norms
I shell name the norms of protection.
Many examples of norms protecting some norms of behaviour
we have in any religion.
Those norms are tightly connected to social emotions.
The initiation of a social emotion can be played out
for a group of people in a conditions
that feuvore the growth of some interpersonal emotions.
This growth can enter the point of unstability
where we would have new collective emotinal modes.
Those modes will be the social emotions.
The norms that protect communication
have the form of a grammar
and some rules that regulate the awareness.
Here the awareness of two people
can generate a general awareness
of any human beings about the whole society.
This unconscious awareness is the source
of different social emotions and norms.
For a great number N of participants
some norms turns out to be near to formal rules
because the fluctuations of norms will be
~
According to similarities of the general plan of the world
the above picture of human life
can be transferred to the life of phusons.
Here some formal norms of phusons
turns out to be identical to physics
and a local cosmology of phusons society
turns out to be identical to a human being.
Then we can deduce the knowledge of phusons life
from our own life.
It is mainly the emotional life or the life of intuition
because we have phusons at the level of regulation of our actions.
Our physics (identical to the norms of phusons)
can be derived from the pcture of phusons life
or, in the end, from our emotional dynamics.
The formal character of physics follows from the greatness of N
but this greatness may be deduced
from multiplicity of forms and aspects of phusons life.
In local cosmologies (i.e. in any natural system)
N is not so great and here physics has “emotional tales”.
This physics must be described by an artistic texts
but some aspects of this text will be near to a formal system.
The “emotional tales” can be derived from this text
(or, in the end, from our psyche).
They will explane:
the relations of emotions to matter,
some experiments with biochemical substences.
some features of natural and cultural evolution.
Higher meaning of Ch.3.
The notion of phusons is taken from tradition,
but the image of phusons life
is calculated (played out) from the conditions of
self-supportness and
self-concordance.
This image has two aspects:
some ideals from above (as a part of regulation by a program) and
some demands from below (needed for functioning of phusons).
Here functioning is needed for the existence of regulation and
regulation is needed for meaninfulness of functioning.
Life is not a darvinian fight for existence,
life is striving to move according to the worlds program
and is interested in existence
only in the degree
needed to ensure this moving.
Then the “lightmindness” that connect us to higher realm
is so needed as the seriousness in our fight for existence.
This evident relation of two levels of an individual phuson
transforms after a number of symmetry breaking
into the relation between art and science.
The use of the above picture in medicine.
In our psyche we have a number local cosmologies
that ensure the different functions of psyche.
For these different function we need different degree of chaos.
But different system of the brain are toghtly connected
and chaos will pass from high tempetature to the low temperature.
Some mechanisms must work against this drive to equilibrium.
Some psychic illness may be the results of some deficiencies of these mechanisms.
Then we need some means to detect the local degree of chaos
and to change this degree.
The apparatus that are suitable for these functions
was described in Ch.1.
A tale about the genesis of norms.
Once upon a time the peasants of a Russian village
recieved the order from Moscow:
“You must organize yourself in a collective farm.”
According to this order
they united their fields
in one big field.
It was the time of spring
and at the spring people get used
to dig their fields with spides.
Then at the next day
people were going to the common field
and start to dig
at different time,
in different places.
in different directions.
Correct two-level physics.
Artists usually assume that our art
is only a week reflection
of some deep dynamics of our soul.
It is assumed also that there are
different kinds of natural spirits.
Their presence in biochemistry
turns combinations of atoms into a living matter.
I see these images to be correct
but too general to have any consequences.
Some important principles
that govern the dynamics of spirits are absent here.
These principles are:
multiplicity of interacting spirits,
contradictions between different part of spirits society,
self-concordance insite any such part,
self- supportance of this construction as a whole.
These principles are important also for the norms of behaviour of spirits.
But these norms are identical to the observed physics.
Then we have here new principles of physics.
Today’s physics is derived
partly from experiment,
partly from principles.
With above new principles
all physics can be derived
without any reference to experiment!
Now the dependence of physics on metter
is changed to its dependence on emotions of spirits
that depend on our emotional state.
Becayse of this we can have any physics we like.
Powerful two-level art.
The first movers in above picture
are natural spirits that stands
behind the matter of our whole universe.
The first mover in art
is my will or my I
but for true art
we demand the access to the most deep I.
To get this access
we must know the structure of deep I
and must know the means for changing this I.
A hint to this knowledge we have
in falk image of natural spirits
that stands behind our material body.
The society of those spirits are identical to our soul.
I shall assume that individual spirits behind our mind
are the same as the spirits behind other matter of the universe
but our spirits form a society of our I.
Spirits of this society have some norms of communication
that is identical to observed physics.
But owing to social organization
that is absent, say, in a stone
we have for a living brain
the physics that differ from usual physics.
The most feature of this physics
is its dependence on the emotional state of spirits.
Emotional state of this society of spirits
is idetical to our deep I that rule our percepted I.
Then here the relation of our biochemistry
and our action to our emotions is explained.
For a given physical dynamics
and a given emotional dynamics
the relation between them
turns out to be unique.
This uniqueness is the result
of some ideals and demands
that are new in our culture:
multiplicity of interacting spirits,
contradictions between different part of spirits society,
self-concordance insite any such part,
self- supportance of this construction as a whole.
Then the above discussion
is not a natural philosophy.
It is a concrete new science
though described in artistic language.
This language stem from initial artistis description of spirits.
The structure of the society of spirits
can be uniquely reconstructed
and the objects of new art will be not our emotions
bu emotions of spirits.
Our emotions will be a result of a symmetry breaking
and different type of symmetry breaking
generate different state of soul.
Some of them can be completely new.
The most interesting feature of this new art
is the possibility to design any longed-for physics.
The whole physics.
People speaking about physics
usually have in mind the equations of physics.
And the future “Theory of Everything”
is thinking as an universal equation.
But beside the equations physics has
apparatus, procedures, modes of perception and action,
the special language and a special state of mind.
This fact is well known
but all projects of new physics
discuss only new equations.
It is hard to think about other factors
because they are parts of physiology,
parts of emotional and social life.
General description of derivation of physics.
According to the described above genesis of physics
we can start from any picture of the life of natural spirits
(we can take it, for example, from the books of Castaneda).
But some features needed for derivation of physics
do not mentioned in these books.
We do not know the way of life of natural spirits,
do not know what language they speak and so on
The needed aspects of this picture
we can take from similarity of the life of spirits
to the life of known beings.
This similarity was supposed by primitive people,
it can derived in more details from the general plan of the world.
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